Showing posts with label JZ V12. Show all posts
Showing posts with label JZ V12. Show all posts

Thursday, 15 December 2011

Soundtrack for film at StarMount Studio

Strings and more strings coming in the studio these days. And it's lots of fun and hard work, most of all great effort to everyone involved in the movie soundtrack production.
Mixing cues and matching music to pictures are something new to our engineers and not to mention around the clock tracking and mixing!

We had 2 groups of string players coming in for the tracks and also cutting some rhythm sections and most of all the beautiful voice of miss Bell Foo.

sE Gemini sounds great when paired up with Bell's vocals. It gives such hugging warmth around the vocals, and it is really good if you're looking for the "intimate" vocal feel. Top end was silky and it sits right in the mix nicely.

JZ V12 was use for some "sweet" vocals as the strong mids from the mic and creamy top end gives it a solid yet punchy performance. Its interesting that this FET could produce texture very close to a tube mic would.

Looking forward to the mastering of the movie and will keep you guys posted when the movie is out!

Cross checking strings arrangements : From Left Jin Tat, Felix, Chern Hwei 
Strings rehearsal at the lounge, we might record here next time :)

Edmund Yong on the drums

Studio A live room

One of a few group pictures : From right Felix, Alex, Jin Tat, Cellist Bell Foo, Vincent Chin and strings players.

Monday, 10 October 2011

Horn session with Jon Dante.

We recently had Jon Dante, principle trumpet for MPO (Malaysian Philharmonic Orchestra) and now HKPO (HongKong Philharmonic Orchestra) in for Q Sound's upcoming project. The player is already fantastic so we need to make sure we're able to fully capture and preserve the performance.
We use the new JZ Vintage Series V12 microphone, placing about 2 ft away, off-axis slightly to the right of Jon's custom made horn. The signal was routed through Chandler TG2 coupled with Neve Portico 5043( high threshold, almost non compression) and finally back into the DAW via our Lavry Blue converters.
The end result was a smooth and lush tone, with the already smokey horn sound from the custom made piece. It has a vintage vibe of olden days recording as it has silky smooth top end, and fat mids.
The V12 has certainly surprised us with the full bodied sound, yet unlike the rest of the V series, It has a slight shimmer on the top end, which sounded so close to a valved microphone.
V12 put to work. The lush and warmth tone captured was incredible.
Check out the trumpet, the tone is amazing! Thanks Jon Dante!!!