We have heard how Pyramix are known for their superior sonic quality, just that its not as widely used by the commercial studios. Thanks to Stagetec Asia and Merging Technologies, we got the Horus with premium ADDA to try out along with Pyramix Masscore system.
This is an impromptu session and the duo liked the idea. Without much delay, HeyMun had her Taylor acoustic guitar tuned while Chern Hwei was already on the resin for his violin.
We had the duo in the same room, 6 ft away from each other. We used the Telefunken AR51 on the vocals, and V67 for acoustic guitar. The violin was done with our favorite sE RT1 Tube Ribbon (great cinematic strings tone with the mic)
So, that was the first studio session for "Hail", a new original from Heymun about friendship. The performance was magical and we're very happy to be able to capture the moment. Pyramix is amazing, and its true that the sonic quality is of very high fidelity and natural. And we're liking it every second we're on it.(not a good sign)
The whole session was done in a default setting:192khz set at 32 bit. And only going through the Horus micpre and AD. We were amazed by how balanced and natural the mic pres could produce, and the headroom was huge.
Everyone was excited and with much delight to hear what was being recorded. We were using the Lavry Blue all this while and the Horus got the upper hand with a huge margin in terms of clarity, fullness and headroom.
Again, it opens up the discussion about recording/ operating beyond 96kHz. To us, listening is believing and we were impressed by this new system from Merging Technologies. Drop by the studio for your own AB comparison. We would like to have more ears to tell us that we're not "hearing things" in the studio or its the "new gear hype" that we are going through right now.