We're celebrating our milestone with giving out BeyerDynamic DT770M headphones for every 10 hours of studio time. To make it a sweeter deal, you can choose between DT770M 80 ohm or 250 ohm, or even DT770 Pro 80ohm/250 ohm.
It has been such a wonderful journey, making friends along the way and most importantly growing and sharing experiences together with the music community are just priceless!
Showing posts with label Pyramix. Show all posts
Showing posts with label Pyramix. Show all posts
Wednesday, 21 March 2018
Tuesday, 6 February 2018
NewSound "BEARING WITNESS" @ StarMount Studio
John Dip Silas brought NewSound over to track originals from his new band "NewSound". Talented band mates like Hor Chee Seng on the guitars, Icco Noel and Terence Ling on bass and drums, Hiroyuki Yagi and Scott Murphy on the horns, and of course John Dip Silas on the piano and keys.
The sessions were all recorded live/simultaneously. Its challenging and exciting the same time especially when we're trying to achieve full sound recordings with minimum spills into each microphones.
Both saxophones, tenor (Scott) and alto, sometimes soprano (Yagi) were placed in the control room, and the rest of the band in the main tracking room where the grand piano and drums were at.
Bass was tracked directly into Avalon U5, Guitars went into Radial JDI, tracking the direct signal and tie line into the amps (Mostly Fender Hot Rod) in the booth, So we've got both DI(direct for re-amping) and amp sound captured in the room.
Saturday, 16 September 2017
It's the season of piano recording
In support of our problem previous post of StarMount Dynamics series 1, the studio is giving huge discounts for Piano Recording with the StarMount Dynamics Crew.
We have been recording piano for close to a decade. With a plethora of microphone selections from small to large diaphragm microphones and outboard gears to match the sound required for your projects.
The tracks will be recorded in 96khz 24 bit, wav format by default. Feel free to let us know of your preferred sample rate prior to your session.
Best times for the ones preparing their audition tapes, getting some real piano into your songs or just wants to record your own musical journal.
JZ 11 and sE4400 microphones on the sound board of our Yamaha Concert Series C1 Grand PianoTuesday, 18 October 2016
《给它一个家》Awareness Campaign for the Abandoned Companions
The studio was star studded for 3 full days consecutively. We had 22 Malaysian artistes lending voice and their kindness towards the awareness of abandoned pets, especially the strays on the streets.
Its such a great experience where the the studio was charged up with positive vibes, seeing artistes from various labels getting together for a good cause. The crews were working tirelessly taking footages as we were recording. It was exciting and challenging at the same time, as we had back to back schedules to fit and we had to get the best tone in such a short time frame.
2 mics, sE Gemini Mk2 and JZ v11 were put to the tasks. We had an all tube setup and a transformer charged channel to handle different tones and projections from the artistes.
The sE Gemini was paired with Tree Audio Branch, and JZ v11 went through Chandler TG2 with Neve Portico 5043 Comp. This was an interesting pairing where the sE GeminiMK2 gave a crisps presence, only set back was the limitation of SPL handling. On the other hand, JZv11 through the transformer chain gave a warm, big sound which fits perfectly for the powerhouse vocals.
We had over 120 vocal tracks in the end, and the Pyramix DAW was handling well without any glitches or any signs of latency albeit having a few plugins on each channels. This was a first for us to put the DAW to test and we were very happy with its performances.
StarMount Studio is grateful to be given such opportunity to host the recording of this project. Heartfelt thanks and congratulations to Bocai and team for bringing such heart warming campaign into Malaysia!
Here's the artistes rosters, and the official music video of the theme song, launched recently on the 17th Oct.
张祖诚，Jaclyn Victor，林德荣，罗忆诗，Beeman @ Manhand，Alvin鍾瑾桦，谢婉婷，林健辉，Geraldine颜慧萍，方炯嘉，Apple 邱诗凌，刘界辉，龚柯允 ，Alycia ，Ribbon黄若熙，Jin薛炳进，Juwei Teoh，马嘉轩，王明丽，赵洁莹，Von @Manhand，Zen 俊倩
Its such a great experience where the the studio was charged up with positive vibes, seeing artistes from various labels getting together for a good cause. The crews were working tirelessly taking footages as we were recording. It was exciting and challenging at the same time, as we had back to back schedules to fit and we had to get the best tone in such a short time frame.
2 mics, sE Gemini Mk2 and JZ v11 were put to the tasks. We had an all tube setup and a transformer charged channel to handle different tones and projections from the artistes.
The sE Gemini was paired with Tree Audio Branch, and JZ v11 went through Chandler TG2 with Neve Portico 5043 Comp. This was an interesting pairing where the sE GeminiMK2 gave a crisps presence, only set back was the limitation of SPL handling. On the other hand, JZv11 through the transformer chain gave a warm, big sound which fits perfectly for the powerhouse vocals.
We had over 120 vocal tracks in the end, and the Pyramix DAW was handling well without any glitches or any signs of latency albeit having a few plugins on each channels. This was a first for us to put the DAW to test and we were very happy with its performances.
StarMount Studio is grateful to be given such opportunity to host the recording of this project. Heartfelt thanks and congratulations to Bocai and team for bringing such heart warming campaign into Malaysia!
Here's the artistes rosters, and the official music video of the theme song, launched recently on the 17th Oct.
张祖诚，Jaclyn Victor，林德荣，罗忆诗，Beeman @ Manhand，Alvin鍾瑾桦，谢婉婷，林健辉，Geraldine颜慧萍，方炯嘉，Apple 邱诗凌，刘界辉，龚柯允 ，Alycia ，Ribbon黄若熙，Jin薛炳进，Juwei Teoh，马嘉轩，王明丽，赵洁莹，Von @Manhand，Zen 俊倩
Thursday, 1 October 2015
Get That Piano Recorded in October!
Up to 50% off from our studio hour rate(terms and conditions apply) for piano recording done by the talented and certified team of engineers from StarMount Dynamics for the month of October!
Best time to record your piano materials with this introductory price, to try out (if you haven't heard of) the awesome Horus converters and latest Pyramix Masscore 9.1 by Merging Technologies. Of course, with the goodness of other outboards available from Neve Portico Designs, Tree Audio, Chandler Limited, Audient and more....
Contact us now at info@starmountstudio.com for this fantastic offer in October!
Wednesday, 27 May 2015
Bihzhu "Bright Veins" @ StarMount Studio
Body percussions, indian ethnic percussions, gamelan and gongs, electric guitars, 2 choir groups, ringtones, double bass, coins, synths and more were being featured in Bihzhu's latest single "Bright Veins".
With the same production team, Bihzhu as content creator and lead singer and Savy as music arranger and producer, once again we are able to have a dynamic and creative outcome that offers more compared to the "Nightingale Tales".
We used blumleins on the body percussions, most of the sound sources were captured with our favorite stereo ribbon tube microphones RT1. They work best on body percussions and claps, producing an un hyped and very natural sound reproduction, especially for finger snaps and claps.
Session was all the way 192khz 32bit and the track count went past 60 tracks. And we are still able to go further without slowing down the DAW at all, which was quite impressive for an i5 intel processor with just 4gb of RAM.
The objective of the music is to be as open as possible and it open its arms to participation to the music. Percussions and percussive sounds were mostly present in the song, everything was lead by Bihzhu's powerful vocals and backing harmonies.
We went mobile with the system, as we traveled out to capture the gamelan and gongs. Set up was simple and quick. Horus made connections easy with their DB25 to XLRs, and with Ravenna network, we got the shortest signal path as the Horus was placed right around the gamelan set, and all being connected to the DAW via network cable.
The track was mixed by Alex Tan of StarMount Studio and mastered by Woody at Westside Mastering. Such fun collaboration with so many talented and passionate personnels.
Watch "Bright Veins" Music Video, produced by Chris and his dynamic team, and get yourself a copy fromiTunes too!
With the same production team, Bihzhu as content creator and lead singer and Savy as music arranger and producer, once again we are able to have a dynamic and creative outcome that offers more compared to the "Nightingale Tales".
We used blumleins on the body percussions, most of the sound sources were captured with our favorite stereo ribbon tube microphones RT1. They work best on body percussions and claps, producing an un hyped and very natural sound reproduction, especially for finger snaps and claps.
Session was all the way 192khz 32bit and the track count went past 60 tracks. And we are still able to go further without slowing down the DAW at all, which was quite impressive for an i5 intel processor with just 4gb of RAM.
The objective of the music is to be as open as possible and it open its arms to participation to the music. Percussions and percussive sounds were mostly present in the song, everything was lead by Bihzhu's powerful vocals and backing harmonies.
We went mobile with the system, as we traveled out to capture the gamelan and gongs. Set up was simple and quick. Horus made connections easy with their DB25 to XLRs, and with Ravenna network, we got the shortest signal path as the Horus was placed right around the gamelan set, and all being connected to the DAW via network cable.
The track was mixed by Alex Tan of StarMount Studio and mastered by Woody at Westside Mastering. Such fun collaboration with so many talented and passionate personnels.
Watch "Bright Veins" Music Video, produced by Chris and his dynamic team, and get yourself a copy fromiTunes too!
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| Bihzhu, Zal and Savy discussing on the body percussion |
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| Santosh providing the ethnic percussion touches. |
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| Fly on the bass |
Tuesday, 26 May 2015
WVC+1 Waiting For That Day @ StarMount Studio
Finally after 6 years of waiting, we have got the chance to record the latest album for WVC TRIO+1 "Waiting For That Day". Its such a special occasion as this is one of the must do list set 6 years ago. We were recording Tokyo Blue "Naked Soul" and WVC was also releasing their debut album at the same time frame. The band was so good that we set out a goal to be able to record them one day.
The band, lead by Tay Cher Siang on the piano and keys are one of the hardest working jazz band that we know of. Constantly reaching out to the audience for the passion they have on jazz music, having performances in large to small scales. Most importantly they also held several music workshops to share their passion and spread the awareness towards jazz music to the local communities.
We were delighted to have the band in the studio. As this was also special to StarMount as we were in a transition to change our system entirely, from Pro Tools HD environment into a total alien system- Pyramix Masscore.
It was also a bold decision as we were considering system upgrades to improve our workflow and output quality. And we got a demo unit courtesy of Salzbrenner Stagetec Mediagroup Asia to try out the system. It was in Pyramix 8 Masscore with Horus interface and we were loving the sound already.
We did not want to put the session at risk and decided to go on with our current Pro Tools system for a smoother workflow. As we proceed to recording the 2nd song from the band, we just couldn't hold it longer than to halt the session, requested 30 minutes break, reroute everything into Horus and Pyramix and resume recording.
We were then able to record at 192khz 24 bit, and we were impressed by the powerful DAW to handle high track counts without breaking sweat. The Horus mic pre were solid and had ample headroom for us to track the entire album without the need of any compressors. We did have the stereo piano through Neve Portico 5043 for the color and also the drums through the buss compressor from the Audient Zen Console (we called it the magic box)
The AD/DA conversion was superb. We had a larger stereo spread, higher headroom, and a better representation of separation as compared to our previous Lavry Blue. Though we love the punch and tightness from the Lavry Blue AD/DA, Horus seems to have an upper hand for recording natural acoustic instruments.
We had maximum of three passes for each songs, sometimes one. It was thrilling to work with such efficiency and it challenge us to capture the chemistry whenever music is being played. Cutting down direct mics and focusing more on the overall was our objective. We would want to preserve the performance at its most organic form, which was in line with the band's idea of recording.
We love our tube ribbons, and it was placed on the acoustic double bass and as additional mono overhead for the drums. The bottom end was lush yet having a cushioned texture, and surprisingly we could get enough separation from the drumkit, which was just less than 1 metre away from the double bass.
sE 4400a pair was our favorite on the grand piano. We were able to play with different tones by switching polar patterns and its flat shape provides sufficient flexibility and reach for a semi covered lid. For a touch of color, Neve Portico 5043 were called up for the job, applying some sweet transformer characters towards a powerful and composed piano tone.
3 different microphones were used for saxophones, sE Gemini MK2, JZ 11 and AK47 by Telefunken. All of them contributed to the detail and tone, fitting the mood of the songs. No EQ were applied and what you heard from the record were just from the microphones.
"Waiting For That Day" is out in CD album and also available on iTunes. If you are in Malaysia, and better, in KL, Catch them live (WVC Trio +1 Concert) on the coming 24th and 25th of June 2015 at KL Performing Arts Centre (KLPAC) for two nights of musical journey with the band.
The band, lead by Tay Cher Siang on the piano and keys are one of the hardest working jazz band that we know of. Constantly reaching out to the audience for the passion they have on jazz music, having performances in large to small scales. Most importantly they also held several music workshops to share their passion and spread the awareness towards jazz music to the local communities.
We were delighted to have the band in the studio. As this was also special to StarMount as we were in a transition to change our system entirely, from Pro Tools HD environment into a total alien system- Pyramix Masscore.
It was also a bold decision as we were considering system upgrades to improve our workflow and output quality. And we got a demo unit courtesy of Salzbrenner Stagetec Mediagroup Asia to try out the system. It was in Pyramix 8 Masscore with Horus interface and we were loving the sound already.
We did not want to put the session at risk and decided to go on with our current Pro Tools system for a smoother workflow. As we proceed to recording the 2nd song from the band, we just couldn't hold it longer than to halt the session, requested 30 minutes break, reroute everything into Horus and Pyramix and resume recording.
We were then able to record at 192khz 24 bit, and we were impressed by the powerful DAW to handle high track counts without breaking sweat. The Horus mic pre were solid and had ample headroom for us to track the entire album without the need of any compressors. We did have the stereo piano through Neve Portico 5043 for the color and also the drums through the buss compressor from the Audient Zen Console (we called it the magic box)
The AD/DA conversion was superb. We had a larger stereo spread, higher headroom, and a better representation of separation as compared to our previous Lavry Blue. Though we love the punch and tightness from the Lavry Blue AD/DA, Horus seems to have an upper hand for recording natural acoustic instruments.
We had maximum of three passes for each songs, sometimes one. It was thrilling to work with such efficiency and it challenge us to capture the chemistry whenever music is being played. Cutting down direct mics and focusing more on the overall was our objective. We would want to preserve the performance at its most organic form, which was in line with the band's idea of recording.
We love our tube ribbons, and it was placed on the acoustic double bass and as additional mono overhead for the drums. The bottom end was lush yet having a cushioned texture, and surprisingly we could get enough separation from the drumkit, which was just less than 1 metre away from the double bass.
sE 4400a pair was our favorite on the grand piano. We were able to play with different tones by switching polar patterns and its flat shape provides sufficient flexibility and reach for a semi covered lid. For a touch of color, Neve Portico 5043 were called up for the job, applying some sweet transformer characters towards a powerful and composed piano tone.
3 different microphones were used for saxophones, sE Gemini MK2, JZ 11 and AK47 by Telefunken. All of them contributed to the detail and tone, fitting the mood of the songs. No EQ were applied and what you heard from the record were just from the microphones.
"Waiting For That Day" is out in CD album and also available on iTunes. If you are in Malaysia, and better, in KL, Catch them live (WVC Trio +1 Concert) on the coming 24th and 25th of June 2015 at KL Performing Arts Centre (KLPAC) for two nights of musical journey with the band.
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| Can you tell which tracks are of Pro Tools and Which are from Pyramix? |
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| WVC Trio+1 with special guest visiting |
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| +1 Julian |
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| KJ |
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| AJ |
Wednesday, 28 January 2015
Joi Noir Debut Album@StarMount Studio
Joi Noir came at the right time to be the first rock band recorded with our new Pyramix system. We were all excited to see how much of a difference, given the huge amount of headroom would benefit in the genre of rock music.
The whole tracking process had been a fruitful journey for both the band and the studio. Both were pushing to get the best performance from the session. Often scaling on the edge and sometimes over the edge to be a little bit more interesting and experimental, the sessions had been all about challenging the dynamic range of the converters, getting the most organic sound from the drums, electric guitars and bass.
We kept the signal flow as short as possible, from the mics to the mic pres of Audient Zen mixing console, into Horus premium converters. Microphone placements and pairings were the variables we used.
And now the band has almost done mixing the album and is about to get the tracks mastered. This is a true international project as the band traveled around the globe to pick their flavors. Tracking was done in Big A Productions and StarMount Studio (Malaysia), Mixed by Gareth Jones (UK) and will be mastered by Marc Antonio Spaventi in Amsterdam.
The band has started a campaign at Indiegogo to fund for this debut album. We are definitely looking forward to the completion of Joi Noir's debut album!
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| Olga on the lead with authority |
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| Legendary Pairing |
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| The Band Rocking out Live |
Tuesday, 22 April 2014
HeyMun and Chern Hui @StarMount Studio
The talented singer songwriter is based in Sydney Australia, coming back to KL for a short trip. So it was supposed to be a drop by and say hi trip, but we were all excited to try out some microphones-Telefunken AR-51, JZ V67 and JZ J1 (thanks to Soundbuz for their high standards and relentless support), and a new DAW-Pyramix.
We have heard how Pyramix are known for their superior sonic quality, just that its not as widely used by the commercial studios. Thanks to Stagetec Asia and Merging Technologies, we got the Horus with premium ADDA to try out along with Pyramix Masscore system.
This is an impromptu session and the duo liked the idea. Without much delay, HeyMun had her Taylor acoustic guitar tuned while Chern Hwei was already on the resin for his violin.
We had the duo in the same room, 6 ft away from each other. We used the Telefunken AR51 on the vocals, and V67 for acoustic guitar. The violin was done with our favorite sE RT1 Tube Ribbon (great cinematic strings tone with the mic)
So, that was the first studio session for "Hail", a new original from Heymun about friendship. The performance was magical and we're very happy to be able to capture the moment. Pyramix is amazing, and its true that the sonic quality is of very high fidelity and natural. And we're liking it every second we're on it.(not a good sign)
The whole session was done in a default setting:192khz set at 32 bit. And only going through the Horus micpre and AD. We were amazed by how balanced and natural the mic pres could produce, and the headroom was huge.
Everyone was excited and with much delight to hear what was being recorded. We were using the Lavry Blue all this while and the Horus got the upper hand with a huge margin in terms of clarity, fullness and headroom.
Again, it opens up the discussion about recording/ operating beyond 96kHz. To us, listening is believing and we were impressed by this new system from Merging Technologies. Drop by the studio for your own AB comparison. We would like to have more ears to tell us that we're not "hearing things" in the studio or its the "new gear hype" that we are going through right now.
We have heard how Pyramix are known for their superior sonic quality, just that its not as widely used by the commercial studios. Thanks to Stagetec Asia and Merging Technologies, we got the Horus with premium ADDA to try out along with Pyramix Masscore system.
This is an impromptu session and the duo liked the idea. Without much delay, HeyMun had her Taylor acoustic guitar tuned while Chern Hwei was already on the resin for his violin.
We had the duo in the same room, 6 ft away from each other. We used the Telefunken AR51 on the vocals, and V67 for acoustic guitar. The violin was done with our favorite sE RT1 Tube Ribbon (great cinematic strings tone with the mic)
So, that was the first studio session for "Hail", a new original from Heymun about friendship. The performance was magical and we're very happy to be able to capture the moment. Pyramix is amazing, and its true that the sonic quality is of very high fidelity and natural. And we're liking it every second we're on it.(not a good sign)
The whole session was done in a default setting:192khz set at 32 bit. And only going through the Horus micpre and AD. We were amazed by how balanced and natural the mic pres could produce, and the headroom was huge.
Everyone was excited and with much delight to hear what was being recorded. We were using the Lavry Blue all this while and the Horus got the upper hand with a huge margin in terms of clarity, fullness and headroom.
Again, it opens up the discussion about recording/ operating beyond 96kHz. To us, listening is believing and we were impressed by this new system from Merging Technologies. Drop by the studio for your own AB comparison. We would like to have more ears to tell us that we're not "hearing things" in the studio or its the "new gear hype" that we are going through right now.
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| HeyMun |
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| Chern Hwei |
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| Beautiful Duet |
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