Showing posts with label Canopus. Show all posts
Showing posts with label Canopus. Show all posts

Friday, 25 August 2017

Canopus Yaiba GrooveKit@StarMount Studio (Discounts inside)

Known for their exceptional craftsmanship and passion towards sound, Canopus Drums has been on our wish list of drums to be in the studio.Thanks for Drumstore Malaysia, we finally got the Groove kit from the Yaiba series into the studio.

The toms are so musical, responsive and lush. Its a breeze to tune up the kit, and the tuning range is very versatile for various types of genre.

It was put straight into music production across genres of Pop, Jazz and Rock music. Feedback from our fellow session drummers were very positive, and all were complimenting about the musical tones, the ability to control the resonance and decay of the toms, and the kit just encourage and inspires them to hit the drums more.

Thursday, 1 December 2016

Peace x Shane @StarMount Studio

Male x male duet is quite a rarity in the pop music scene, more so for a love song. Through Universal Music Malaysia & Singapore, Peace and Shane came together for a duet " You, Its You".
Alex Tan, the producer for this project got Dennis Law of A9 Strings for music arrangement, "Sotong" on drums, AJ Popshuvit on Bass, Dennis on the keys and Alex"the lion" Koh on guitars. 
Its also the debut recording for our new addition, Canopus Yaiba Groove Kit. We spent a nice 6 hours on recording the drums. There are 4 different snare tunings throughout the song, 2 different OH microphones on the first half and 2nd half of the song, and also we used 3 different snares for tone as well. The tones from the Canopus drums were so musical, easy to tune and sounds great recorded. The signals were all patched into Audient Zen Console mic pres and into Horus audio interface.
The bass went direct into Tree Audio Branch. Loved the tone especially cranking it through the opto compressors, the sound was almost complete into the mix.
Guitars were layered with multiple electric guitars and pickups. It provides a subtle but important support throughout the song. Hybrid processing of GTR and real pedalboard effects, combining DI and amped signals, especially for distortion powerchords towards the last chorus of the song.
JZ 11 was surprisingly fitting for the vocals in this song. We alternate JZ 11 into Chandler and Portico compressor for the chorus and JZ 11 into The Branch during the verse parts. Shane was using mainly Gemini MK2 while Peace was having a good mixture of both JZ and Gemini microphones.


Here's the music video and behind the scenes for the song: